story behind pour some sugar on may meme

They were watched by Jim Dickinson, who later professed his amazement at the process, saying “I’ve seen some pretty serious songwriters in my day, but I never saw anything like Mick Jagger was doing.”ĭickinson was especially taken by Mick’s ability to absorb Southern colloquialisms that he heard from people around the studio and introduce them into his lyrics. There was a small, “front office,” behind that a control room that got crowded with any more than 8 or 9 people in it, and the recording room, which was 25 feet wide, and 35 feet deep, with a 15-foot high ceiling.Īfter they finished recording a cover of Mississippi Fred McDowell’s “You Gotta Move,” Mick and Keith sat in the middle of the studio, on two folding chairs, finishing, writing, “Brown Sugar,” a song Mick had started while filming Ned Kelly in Australia in the summer of ’69. Constructed in 1945 the 75 by 25-foot building was across the road from a cemetery, and prior to it opening as a studio it was used to store headstones and grave slabs.

Atlantic was working with Memphis musician Jim Dickinson who is likely to have been the one that suggested Muscle Shoals Sound Īrriving at 3614 Jackson Highway, the band was confronted by arguably the least glamorous studio facility of their entire career, possibly Regent Sound was as bad, but it was in London. Greaves’ big hit single, “Take a Letter Maria.” Greaves was a protégé of Ahmet Ertegun the boss of Atlantic Records, and it was through him and fellow Atlantic man Jerry Wexler that the Stones ended up at Muscle Shoals. Since opening Muscle Shoals Sound, and prior to the Stones arrival, The Swampers, as the former session musicians from Ric Hall’s studio were known, had recorded a Cher album, Boz Scaggs’s second, self-titled, solo album, Lulu’s New Routes album and R.B.

Story behind pour some sugar on may meme